#blonde

No Fluff

A sample from the session I refer to later in my ramblings. 

A sample from the session I refer to later in my ramblings. 

I want to try and write more freely and more regularly but hey, life happens.  We are currently preparing for court in the morning where we make the adoption of Austin official and we couldn't be happier about it.  I have just sat down and decided now is the best time to try and get my thoughts into print.  First thing first though. I shoot mirrorless and since switching over ( best decision ever ) I find myself shooting much less in general.  Normally because I like the system and it works exactly how I like to shoot so getting the shot I want is easier to capture. Thus leading me to shoot less for the desired result. That is what I am talking about in this article. I volunteer at our church and I am on the Photography Crew that helps capture moments and events. We recently had a team meeting and while conversing someone asked why I shoot mirrorless, and I explained like I did above and they responded, " I bet you shoot light huh?"  On an average wedding day, this person said they shoot between 2000 and 3000 images, while I shoot between 500-800.  I explained I don't have a need to exhaust my equipment, clients, and self to have multiple images of the same moments from the day. He then replied " well I prefer to shoot for the emotion and not a perfect moment", where I replied Yep me too.  I completely understand what he's saying. It's easy to see a moment and snap with proper exposure and compensation but miss a feeling.  It is easy to assume you have it and move on to something else but I do not do that. I strive for feelings in my work, not perfection. I strive for unique moments in time, not the average posed imagery. I'm in no way saying he does this and it was a great talk and I was happy to discuss it and still am.  There were no "church league softball fist fights" over the topic LOL
I love everything related to photography, and I am finding a new passion for shooting video even though it makes me want to smash my fist through my monitor every single time I try to edit one. Why is that crap so friggin hard?
Speaking of I am working, with much-needed help from Wes, on a new BTS video from my latest session now. I love shooting video while I shoot stills, and I think the video editing may need to be left to the pros.  While they are doing that I am going to keep on shooting, throwing light at people, rewinding time by shooting film, and making my clients feel like the Rock Stars they are! Thanks for reading and as always be sure and follow all of our Social media accounts. I did the legwork so just click the link below you lazy bum.  

IG @jeremy.gouge

    @wes_mckeehan 

    @Throatpunchproductions

 

Before and After Portraiture

F1.8, 1/100th, 55mm, ISO 50

So I have been considering topics to blog for 2 days and actually set the matter aside as I was busy with other things, then I decided to re-edit some of my favorite images and upon doing so came up with this brilliant plan. Don't mind my sarcasm here lol. I think its easy to see photography or images we like and hit the like button, or slam that heart if your on Instagram. ( everyone should be on IG, its my favorite ) I think often times, that as photographers some members of society think we charge our rates to simply show up and push the button. Anyone who knows me or has worked with me knows, I kid around about just pushing the button but when it comes down to it I do much more than that.  The details of how I work on a shoot are ( cue dramatic action film intro music please) coming to this blog in the near future so I won't waste anytime on that today. So what I'm doing is posting a few images below and that will start with the RAW or SOOC image and then the edited image along side it. I hope this achieves several things. I hope to express how much time and effort is put into my work when no one is watching, and honestly I hope to prove that "having a friend with a camera" doesn't mean that you should actually trust them to capture moments in this life that you want to pass down and remember for years to come but also appreciate for what they are as a whole. I spent all day today re working these images and most of them have never been seen as they are images I never released from the initial shoot.
Ok, about the shoot to start. My friend and fellow photographer Nathan Mays, in the off seasons invites groups of fellow creatives to his studio in Bristol to hang out, network and sometimes we shoot.. these images came from that night. All images where shot with my previous camera, the Sony A7ii and the Zeiss 55mm lens. Lighting was provided by Nathan ( thank you ) and we used his Alien Bee Einstein Strobe heads. If I ever find myself in the place where I need a studio again. Einstein's will be my lighting of choice in case anyone wonders how I feel about them.
Haley, and Lilly were invited to model for the group and I remember Nathan whispering to me that someone needs to start shooting, the models where ready and no one was taking advantage of them being there for us.. So here I went! Not sure his trigger would even work on my camera body, but luckily it did. The images below are the results.  Ill list camera exif below each set for any photographers who might be curious.

BEFORE

F1.8, 1/125th, ISO 50

AFTER

AFTER

BEFORE   F1.8, 1/125th, ISO 50

BEFORE

F1.8, 1/125th, ISO 50

AFTER

AFTER

BEFORE  F 1.8, 1/100th, ISO 50

BEFORE

F 1.8, 1/100th, ISO 50

AFTER

AFTER

BEFORE  F 2.5, 1/160th, ISO 50

BEFORE

F 2.5, 1/160th, ISO 50

AFTER

AFTER

BEFORE  F 2.5, 1/1250th, ISO 50

BEFORE

F 2.5, 1/1250th, ISO 50

AFTER

AFTER

BEFORE  F 2.5, 1/200th, ISO 50

BEFORE

F 2.5, 1/200th, ISO 50

AFTER

AFTER

BEFORE  F 2.5, 1/200th, ISO 50

BEFORE

F 2.5, 1/200th, ISO 50

AFTER

AFTER

BEFORE  F2.5 1/200th, ISO 50

BEFORE

F2.5 1/200th, ISO 50

AFTER

AFTER

BEFORE  F 2.5. 1/160th, ISO 50

BEFORE

F 2.5. 1/160th, ISO 50

AFTER

AFTER

I appreciate that you came by my site and hope you enjoyed the intimate look at my before and after images. The last 2 shots are double exposures and where just something different to play with and as you see, I had to adjust for the ceiling and the other photographer in my shot, but was able to make a very dramatic image still. Please leave me your thoughts below in the comments! -J